Teenbeat XVIIII - Mary Wells

Today entry is around a double cd  by artist whose career that lasted many years only really flourished briefly and often is ignored when it comes to Motown's contribution to the evolution of Soul Music.
You see the people we associate more with Motown, like Diana Ross& the Supremes, the Temptations and the Four Tops were only really successful after Mary Wells left the label but during the first years it was her, the Miracles and Marvin Gaye who were the bit hitters chart wise. Indeed the Supremes were dubbed the 'no hit supremes' while the Beatles hung out with Mary and even shared billing on tour.
Motown was like a giant music factory working all hours recording and refining 'product' for the quality control meetings where the decision to release or just can the recordings were made so like many Motown artists, Mary had a lot of material, really fine material that commercially Motown had no use for regardless of its quality.

This set issued in 2012 is in some respects the replacement for 1993's ultra rare Looking Back double, part of a ground breaking set of releases exploring work by less well known artists or those whose careers spun more at 45 RPM from the master tapes so had few if any lps.
While I have a number of those cds and the periods 'Anthologies' of more popular artists, hers is one I didn't get at that given we're looking at around over £100 when you see a copy, I'm not likely fill that gap.
This set has 25 unreleased tracks, a good number of new stereo mixes of tracks previously issued including duets with Marvin Gaye and Smokey Robinson plus work with the Four Tops and Supremes (the Diana Ross & the Supremes group styling came in in 1967 after these were recorded).
Mary took advice, sadly very misguidedly to leave Motown in 1964 from what was admittedly a poor contract but the process took it's toil on her poor health that went back to her disadvantaged childhood and lack the nurturing environment and the pool of talented writers was to cost her commercial career dear.
Meanwhile one does need the Hits and there has been a number of compilations issued over the years.

 This one dating back to 1986 remains my favourite even if the art isn't top draw and isn't hard to find used Taking in 1960's Bye Bye Baby, Two Lovers, Your Ol' Standby and You Beat Me To The Punch  as well as My Guy, a big UK hit in early 1964 although it has nothing from the Together album of duets recorded with Marvin Gaye who was rather disowning of it.

Although there is a more recent identical coupling of these two original studio albums which are very well recorded by Motown standards, this 1986 2 on 1 set is a favourite for the songs (the albums are surprisingly solid with little 'filler' making the case for her most versatile voice taking in such songs as Two Lovers, Laughing Boy, Whisper You Love Me and My Baby Just Cares for Me.