Back to class with tape

 

Funny old week in a number of ways as the post F.A. business has resolved itself so things have gotten more to back to normal and I get ready to be away this weekend so i'll be sorting stuff out for that and obviously school returns which tugs at me never really have mentally at least left that.

Having fixed the power unit issue on my Sony portable stereo recorder I have been continuing with remaking a number of tapes that went around 1997-9 when MiniDisc moved in and pushed its predecessors and their tapes out, not least as I couldn't operate the Tandberg 62 stereo reel deck.

Back in the days you had a variety of tapes you could use and some could be difficult to use to their best because the coating wasn't what most Japanese tape manufacturers used and Japan set their machines based on what what they made. 

Many pre-recorded cassettes used Basf genuine chromedioxide tape as it not only sounded really good but it was really quiet and in the early to mid 80's I did use their domestic blank tape version as it least the machines I had then did a decent job of recording on them.

What did for that and lead me to switch to Maxell XLII  and TDK SA was changing machines to Japanese machines that sound bad on them and because of the impact of that, reduced availability in the high street.

In 1993 I did try one Basf Chrome type as an experiment and that didn't turn out well as the volume as a lot lower than what I recorded it at.

Recently though in a bundle of mainly Japanese tapes I found some late 90's early 2000's ones and I did experiment with them.

While these were mainly pure chrome they had added a small amount of  cobalt oxide japanese type II tapes used and actually they worked well straightaway on one of the Yamaha decks from the mid 1990's keeping much of the the low noise advantage I liked.

So with that I redid Bruce Springsteen's Born To Run and Darkness On The Edge of Town albums given I like listening to his albums rather a lot.