Now Yearbook Vault 1981

Welcome back to THE VAULT, the bolt on of the New Yearbook series that mixes singles that failed to trouble the top 30 but were really interesting with American hits that didn't do much over here in the U.K. and we're doing this vinyl style.

Part of that's a channelling of those tracks on our Ronco or KTel  albums that sandwiched between the surefire hits they added maybe thinking they'd do better than they did and anyway sometimes they interested us more  and part is music meant mainly vinyl for us back then.

Old rituals bring back memories. 

 It's three lps in one sleeve so as it's a bit thin be careful as it will soon crease or rip but at least the discs are polylined so they're well protected.

 

Time to open this bad boy up!

A year away from their Top 40 debut, record one opens with Simple Minds with ‘Sweat In Bullet’ from their ‘Sons And Fascination’ album and followed by Spandau Ballet with ‘Paint Me Down’ from their second album ‘Diamond’. Heaven 17 are up next with their debut single ‘(We Don’t Need This) Fascist Groove Thang’, alongside the debut from Eurythmics ‘Never Gonna Cry Again’. 

John Foxx released ‘Europe After The Rain’ as the lead single from ‘The Garden’, and Gary Numan reunited with his former band members, now called Dramatis on the superb ‘Love Needs No Disguise’. Closing the side, Altered Images feature with their debut ‘Dead Pop Stars’, along with the 1978 debut ‘Young Parisians’ from Adam & The Ants – re-released to become a hit in 1981. Flip the LP over to celebrate some of ‘81’s best soul and disco featuring Rick James, Sister Sledge and Chaka Khan, ahead of funk-pop genre melding from Freeez, Shakatak and Level 42 before this first disc closes with reggae artist Sheila Hylton who made the Top 40 with her cover of The Police track ‘The Bed’s Too Big Without You’.

Bruce Springsteen starts record two with the title track from his #2 album ‘The River’ which gave him his first UK Top 40 single, and John Mellencamp – who would have to wait another year for his UK chart debut – with ‘Ain’t Even Done With The Night’, his first Top 20 hit in the US. REO Speedwagon are up next with a track, ‘In Your Letter’ from the years’ biggest-selling album in America Hi Infidelity and a big seller here), and Billy Joel released a live version of ‘Say Goodbye To Hollywood’, giving him a Top 20 hit there. Great singles from Elton John and Joan Armatrading lead to the side finishing with The Alan Parsons Project and another US hit, ‘Time’.

Side B opens with the Pretenders from their second album, and a single ‘Louie Louie’ that got a US, but not a UK release. Pat Benatar led into her ‘Precious Time’ album with ‘Fire And Ice’, and Generation X released ‘Dancing With Myself’, a track that lead singer Billy Idol would revisit in his solo releases. Echo & The Bunnymen, The Teardrop Explodes, and Dexys Midnight Runners all feature ahead of Joe Jackson covering the jazz/blues/swing standard ‘Jumpin’ Jive’, and The Manhattan Transfer – who had a huge US hit with their cover of doo-wop classic ‘Boy From New York City’, which closes the second record.

Record 3 opens with an brilliant run of alt-pop: The Creatures - Siouxsie Sioux and Budgie from Siouxsie And The Banshees - released their debut ‘Mad Eyed Screamer’ along with ‘Primary’, the single from The Cure’s ‘Faith’ album, New Order with ‘Procession’, plus The Psychedelic Furs with ‘Dumb Waiters’. The Clash released the non-album single ‘This Is Radio Clash’, and reggae and new-wave fusion from Scritti Politti with the sublime ‘The “Sweetest Girl” to which we were to more of in later years. The side closes with two chart regulars The Undertones and Squeeze with ‘It’s Going To Happen’ and ‘Is That Love?’ and the final side kicks off with Debbie Harry, as 1981 saw her release her first solo album ‘KooKoo’, and from it here the second single ‘The Jam Was Moving’. Donna Summer released ‘Cold Love’ from her ‘The Wanderer’,( her first for Warners), and Commodores feature with ‘Lady (You Bring Me Up)’. Steve Winwood follows on with ‘While You See A Chance’, and the final three begin with Journey and their rock ballad ‘Who’s Crying Now’, Rush with the epic ‘Tom Sawyer’, and closing the collection, Meat Loaf with the lead single from his album ‘Dead Ringer For Love’, ‘I’m Gonna Love Her For Both Of Us’.

This selection works well bring  a mixture of memories to many of us especially those of us with more ecliptic tastes while sounding more fuller than those old K Tel and Ronco discs did back then.

 

Now Yearbook Vault 1980

We last tackled the new now yearbook Vault series in early October when we bought and reviewed the 1984 edition as I felt this by offering American only hits and Bubbling Under UK hits did offer something that would slot in with my original Now 2,3 and 4 and Hits and Hits II compilation albums bought back then.

Well they returned last Friday not with the previous two years but a three lp version of a set devoted to 1980 which is a under represented period with compilations here so looking at the tracklist, I decided to buy this one.
 

 

Record 1 kicks off with established superstars with big U.S, hits: Bruce Springsteen (with ‘Hungry Heart’ from the great The River album), Billy Joel (with ‘You May Be Right’) and Blondie with ‘The Hardest Part’ that was a single in the U.S. but not in the U.K. 

New-wave with a retro feel from The Ramones, The Revillos and The B-52’s lead into singles before the hits came for Echo & The Bunnymen and The Teardrop Explodes.

Fipping over the side for disco-pop from Donna Summer with ‘Sunset People’ and Shalamar with ‘Right In The Socket’ ahead of the fusion of soul & jazz from The Manhattan Transfer, and the superb collaboration between Wilton Felder and Bobby Womack on ‘Inherit The Wind’. 

Jazz influenced pop from Level 42 who we were to hear more from in 1982 leads to chilled soul from Brenda Russell with her timeless track ‘In The Thick Of It’ and finishing with the unmistakable vocals of Joan Armatrading.

Synth-driven pop would become the dominant genre in the charts over 1981 which is featured on Record 2 celebrates some of the formative singles of the genre from Sparks and John Foxx alongside Ultravox, The Human League and Orchestral Manoeuvres In The Dark who would be among the most successful groups of the next five years. 

More synth-pop from The Buggles and New Musik follows whilst the disc draws to its close with The Tourists with ‘Don’t Say I Told You So’.

Turning over to the second side we open with ‘Dance Stance’ from Dexys Midnight Runners  that was the single that came a few months before ‘Geno’ took them to #1. 

Great guitar pop from Squeeze and XTC leads into The Clash, ahead of reggae and ska from Junior Murvin and The Bodysnatchers, and hugely influential early hip-hop from Kurtis Blow with ‘The Breaks’.

Record 3 begins with the ballad ‘Sartorial Eloquence’ from Elton John followed by more huge musical icons such as Paul Simon (‘Late In The Evening’), Linda Ronstadt (‘Hurt So Bad’) and Carly Simon (‘Jesse’). Robert Palmer, Bill Nelson and The Cars with Touch And Go complete the side with new-wave classics .

Turning the record over over on the flip side shows stellar vocals from Pat Benatar and Journey kick off an explosive line up of 1980’s rock from Saxon, Girlschool, UFO and the debut single from Iron Maiden. Phil Lynott features with his first solo hit ‘Dear Miss Lonely Hearts’, whilst the final word is given to the legendary ZZ Top – they were 4 years away from a U.K. chart single, but ‘Cheap Sunglasses’ hit the U.S. chart in 1980.

 Although we have the Now Yearbook 80 lp, two lps of Extras and a few original complations this brings otherwise missing American favourites and the early singles of acts we were to hear more of in one nice package. Recommended.

Now Yearbook Vault 1984

I did suggest it was going be a busy period on music releases last week and on Friday while sneezing my nosy off something a bit familar but also a bit different arrived.

Now Yearbooks, we covered them here looking from 1982 and before with 1977 due next month, rounding up on three very well filled lps the main hits of each year complement my original Now and Hits Lps from the 1983 and 4 respectively and then some older compilations.

In June Now launched a sub series VAULTS, which aims to cover minor hits of the sort that tended to pad out our Ronco and K Tel sets as much as we may of preferred some of them to the big hits back in the day and also American Hits which unless someone did a American Hit compilation you didn't get so I'd buy the 45's where available.

We didn't bother with 1983 as that was well covered on the vinyl front and I have many American and Canadian acts albums from that year I liked anyway so the initial title got a miss here.

Yesterday though they issued Vaults 1984 which although 1984 is well represented with a half of Now 2 and the whole of Now 3 and 4 plus the first Hits  did miss out a number of these min or hits and American hits that never were over here so I thought "What the heck!" and ordered it.

Like the regular Now Yearbooks on LP, these are coming out in three lp sets, three discs stuffed in a single sleeve which means we do miss some of the tracks from the 4 cd version in cheapskate wraparound card or fuller book forms but most of the essentials make it.

Record one  begins with some pop gems from established artists such as Heaven 17, ABC, and Scritti Politti ahead of Wild Life a U.S. single release from Bananarama followed by the solo debut from Helen Terry who had sung back-up vocals on the previous years’ massive seller ‘Colour By Numbers’ from Culture Club features along with Level 42, Soft Cell and Talk Talk who close the first side with ‘Such A Shame’. 

Flipping the record over we get to enjoy the sumptuous vocal pairings of Teddy Pendergrass and Whitney Houston, and Dennis Edwards and Siedah Garrett. The side also features the debut from the Colour Field, M+M’s ‘Black Stations/White Stations’, a commentary on racially defined radio in the States and established artists Tom Robinson and Marillion.

Record Two kicks off with a stunning collection of indie-pop, including Cocteau Twins, Siouxsie And The Banshees, The Icicle Works and the Top 40 debut from Everything But The Girl… plus Malcolm McLaren, The Associates and Blancmange with their cover of ABBA’s ‘The Day Before You Came’, whilst the dance-floor beckons on the other side with electro-dance and Hi-NRG from Sheila E., Divine, Evelyn Thomas, Miquel Brown, and chart regulars Shalamar, Donna Summer and Sheena Easton – with Arrow closing the LP with carnival favourite ‘Hot Hot Hot’.

The final record focuses on singles that found chart success in the U.S. and opens with Culture Club’s ‘Miss Me Blind’, which didn’t get a single release in the U.K, alongside a selection of U.S. new-wave hits from The Fixx, a British group who found more success in the States, Go-Go’s and The Cars. Synth-led tracks from The Psychedelic Furs, Visage and Sparks close the side. 

The Pretenders open the final side with ‘Show Me’, which was a U.S. hit, but not issued as a single in the U.K. Daryl Hall & John Oates, and Rick Springfield continued their run of Stateside hits and Bon Jovi debuted with ‘Runaway’. Scorpions and Judas Priest are up next with rock classics ‘Rock You Like A Hurricane’, and ‘Freewheel Burning’… and the concluding moment is given to ZZ Top with ‘TV Dinners’ one of four singles from their massive ‘Eliminator’ album.

It's a slightly off the beaten track musical overview of 1984 covering much that wasn't on those pioneering 1984 compilations regardless of quality and for those reasons gains a spot in my vinyl compilation collection