Teenbeat: the Mama's and the Papa's

It's almost a cliché to say the nineteen-sixties produced some of the most memorable popular music of the modern era and growing in the era afterward I was very much in that shadow cast by it cos if your folks and relations didn't have it, then often it was played on the radio.
One trend  amongst many was the fusion between folk music and the emergent rock in the middle of that decade which you see with the Byrds, Bob Dylan and naturally Simon and Garfunkel.

 

A popular sound often leads to others getting on on the genre and the other essential act you really need to listen to was the Mama's and Papa's who through a career that only spanned from nineteen sixty-five through nineteen sixty-eight, releasing seventeen 45's and five albums.

They comprised of John and Michelle Phillips, Denny Doherty  and Cass Elliot and were signed to Dunhill records in 1965 .

The combination of close harmony singing and relatively sparse instrumentation coupled with the dreamy quality of the songs lyrics is a core reason these productions stand out among many others.

Imagine not hearing such songs as Monday Monday, California Dreamin' that summarized that era, Dedicated To The One I Love, Creeque Alley and Dream A Little Dream Of Me before they made their separate ways? To anyone around it would be unthinkable and even when I was growing up, their records were always played on oldies but goldies shows on the radio which trust me I heard a lot of being ill during my childhood and reliant on the radio to cheer me up, it was was left for me to listen to.

Their have been a number of compilation albums of their music issued over the years as while there's a bit of me that loves the original studio lp jackets, in truth their always was a bit of filler on those albums and like many sixties albums seldom run much beyond a half hour or so making a well compiled compilation a sensible option.

The strength of two thousand and five's Mama's and Papa's Gold  is it offers many of the songs from the individual albums in addition to the hit 45's on two well filled compact discs avoiding the mistake of including solo recordings that featured on the nineteen ninety-one Creeque Alley package so there's a clear focus and it can act as good alternative to a full set of albums.

Best of all, this is an inexpensive double in Universal Musics Chronicles series negating any need to consider single cd sets completely.

Recommended

Motown Anthologies

As part of my building a music collection, I've sometimes you have to choose between buying whole individual albums and buying recordings that only hits such as compilations either because of economics (albums may be very expensive if out of print) or many of their hit recordings were not on the albums.
For many Motown artists from the 60's, albums were a secondary consideration to the 45's typically containing a couple of hits, their reverse sides and then 8 cover versions so in many ways the compilation if chosen with care makes more sense.

This is a trade advertisement for one of a series released around 1973 and 1974, a 33 track retrospective by Marvin Gaye starting with his hit 45 Stubborn Kind of Fellow from 1963 to his then last studio album Let's Get It On featuring his duets with Mary Wells, Kim Weston, Tammi Terrell and Diana Ross. Like the ad, my copy is the UK edition.

I also have the Gladys Knight and the Pips, Stevie Wonder and Junior Walker and the All Stars volumes although I don't own the Diana Ross & the Supremes (have both UK volumes of "Greatest Hits" instead), Smokey Robinson and the Miracles and Temptations volumes also issued at the time.

 Junior Walker's Anthology is desert island material for me being very distinctive borrowing a lot from jazz.

That one wasn't out for long as Stevie Wonder didn't care much for it issuing Looking Back on November 30th 1977 instead although I feel it's the best selection of his pre Talking book output.It wasn't issued in the UK but imported especially for that market in its three lp plus booklet form.

Also in the series is the Temptations one covering from The Way You Do The Things You Do to 1972's All Directions album.

My copy is the US edition. I also own the 1973 1990 album in a UK pressing STMA 8006

This was issued in late 1973 but not officially part of the Anthology series although in many respects being a double album with all the Four Tops hits up to 1972 on it it almost certainly should be.
Apart from find good stereo recordings, each set has a full colour insert with background capsule, essay and exclusive pictures.

I have the two UK single lps of Diana Ross and the Supremes Greatest Hits as issued in 1968 and 1970 that have most of the tracks featured in the 1974 Anthology set as well as the 1974 'new' Supremes Greatest Hits covering the Ross less recordings from 1970 thru 1973 such as Up The Ladder  To Roof, Nathan Jones, Floy Joy and Bad Weather.

Bruce Springsteen Tracks

I don't normally buy box sets as a thing not least it's not that clear if their a kind of oversized Greatest Hits collection, a rarities set or some strange mixture but this Christmas I had one that makes sense.

 Bruce Springsteen's always been a big artist with me and six years ago I replaced my record and pre-recorded cassettes of his by cds helped by a three for twenty pounds offer but Bruce always wrote and recorded more than just what came out officially.
Tracks is those songs often studio recordings but a few live recorded but not released or worked part way on and just left gathered up by him and the E Street Band some of which where recorded by others like Pink Cadillac that Natalie Cole did in 1988.
They're arranged into four well sequenced cds so they flow more like a 'proper' album and come with a long sepia booklet with full lyrics.
This has been a great present that will be treasured.