This week we're back to music and looking at Sonata's.
What is a Sonata I hear you ask?
A Sonata a composition for an instrumental soloist, often with a piano
accompaniment, typically in several movements with one or more in sonata
form.
One composer who wrote an awful lot of them was Mozart, who if you're familiar with this blog (and it's bigger companion) you will know is a composer I've always had affinity with to the point of buying over twenty recordings in 1991, the two-hundredth anniversary of his death which included a few sonatas.
Music of this era is very much in the firing line of the battle between traditionalist and those who believe in 'historically informed performances' with replicas of older instruments and looking for clues to how originally they were performed.
The young lady on the left may be familiar to some blog readers as she's the acclaimed baroque violinist Rachel Podger who started a long running survey of Mozart's sonatas in 2004 with the pianist Gary Cooper.
This disc covers four, KV 6, KV 379, KV 547 and KV 378.
This was followed up with KV 303, KV 7, KV 301, KV 30 and KV 481 in 2005
In 2006 they recorded volume three that covered KV 454, KV 28, KV 402, KV 404, KV 8 and KV 380.
Volume four came out in 2007 which took in K 302, K 9,K 304, K 29 and K 526
At which point you are probably saying and what's with this "KV" number?
KV happens to be an abbreviation in German for Köchel Verzeichnis.
It is indeed a register for all the compositions of Wolfgang Amadeus
Mozart (1756-1791), not only the symphonies. K stands for Köchel, the
last name of Austrian publisher and collector Ludwig Alois Ferdinand
Ritter von Knöchel (1800-1877).
All Mozart's music is catalogued in order using this notation which makes things simpler.
These performances and others in the series I'm slowly picking up, are widely regarded as the finest modern ones and the smooth effortless reproduction the super audio format allows for sounds most natural, as if you were in a room listening to a recital.
Personally I just love the playing.
No comments:
Post a Comment